EntertainmentStreamingNetflix curse looms as “the top show in the world” circles cancelled drainFor Netflix, popularity isn’t the only thing that matters when it comes to commissioning more seasonsWhen you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.
EntertainmentStreamingNetflix curse looms as “the top show in the world” circles cancelled drainFor Netflix, popularity isn’t the only thing that matters when it comes to commissioning more seasonsWhen you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.
For Netflix, popularity isn’t the only thing that matters when it comes to commissioning more seasons
When you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.
(Image credit: Netflix)
(Image credit: Netflix)
If you’re an industry outsider like me, it seems pretty obvious thatNetflixshould commission a second series ofThe Sandman.
It’s the most popularNetflixshow in the world right now, it’sgetting brilliant reviews, it’s delighting even the most hardcore The Sandman fans and it even managed to win over an avowed fantasy-hater like me.
The Sandman is fast, it’s funny, it’s very exciting and it’s one of the most beautiful shows on TV right now. In fact, it’s the sort of show people sign up to thebest streaming servicesfor.
The show is alsoveryexpensive to make – areported$15 million per episode – but that’s not the only reason why Netflix hasn’t yet announced – and might not ever announce – plans to make a second season.
(Image credit: Netflix)
(Image credit: Netflix)
For Netflix, viewing figures are only part of the picture
We can all think of great series that Netflix cancelled just as they were hitting their stride, including some that were clearly pretty cheap to make. And that’s because the cost of production isn’t the only thing Netflix cares about. Viewing figures are important, of course. But what’s even more important to Netflix is completion rates: how many people watched till the end, and how quickly did they do it?
According to Sandman creatorNeil Gaiman, “we’ve been the top show in the world for the last two weeks. That may not be enough.” Gaiman urged viewers to binge the series if they want to see more, saying “they are looking at ‘completion rates’. So people watching it at their own pace don’t show up.” Netflix won’t publicly comment on its decision-making process, of course, but it’s clear that shows where everybody binges everything in the first few weeks are the ones most likely to be renewed; slow burners are more likely to face the chop.
I do hope The Sandman gets a second series, because it’s the kind of ambitious and exciting storytelling we could do with more of. But the focus not just on viewing numbers but how fast people binge raises some interesting issues for showrunners and other creators: are we heading for a streaming landscape that resembles the matinee films of our childhoods, where every episode has to end with a cliff-hanger?
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