EntertainmentStreamingNetflix’s new Chris Hemsworth movie is blowing up online – but critics hate itChris Hemsworth is having lots of fun in this movie, but the critics don’t seem to be enjoying it at allWhen you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.

EntertainmentStreamingNetflix’s new Chris Hemsworth movie is blowing up online – but critics hate itChris Hemsworth is having lots of fun in this movie, but the critics don’t seem to be enjoying it at allWhen you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.

Chris Hemsworth is having lots of fun in this movie, but the critics don’t seem to be enjoying it at all

When you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.

(Image credit: Netflix)

Spiderhead Netflix movie with Chris Hemsworth on screen

(Image credit: Netflix)

Unfortunately it seems that the screenwriters, fresh from Deadpool, have struggled to get the tone right: RogerEbert.com says they strive for a “disquieting quirkiness” but the writing is too heavy-handed and Hemsworth is miscast. Despite this, it’s currently number 2 inNetflix’s trending chart.

(Image credit: Netflix)

Spiderhead

(Image credit: Netflix)

Why the critics are slamming Spiderhead

Spiderhead’s Rotten Tomatoes score is truly dismal: 44% from the critics and 35% from audience reviews. The Australian says it’s “like a lesser episode of Black Mirror”, while the Chicago Sun-Times says it “has idiocy in its veins”. CNN says it’s “one of those movies that’s forgotten almost as soon as it ends”, and the Movie Madness Podcast says that “Chris Hemsworth is in a comedy. Everyone else is in search of some dramatic sci-fi thriller”.

George Saunders' work often has a mix of dystopia and humour in it, but it’s a tricky thing to get right: Saunders is lauded because he’s really good at it. It seems that the writers here haven’t quite achieved what they set out to do, possibly because they’ve had to expand a one-act story into a three-act movie. And they’ve also changed the ending to something more Hollywood than you’ll find in Saunders' original story.

Not all the reviews are bad, and many praise Hemsworth for trying to make the most of a poorly written script. But the key criticism is that the writers have taken a very good short story and messed with it. Writing in Everything’s Interesting, critic Eric Langberg says that “Spiderhead doesn’t have the courage of Saunders’ convictions, and the third act severely departs from the original story in a way that suggests it doesn’t trust its audience… It’s a shame, because the acting is really quite good.” Slate’s Laura Miller agrees, saying that it soon “becomes obvious that this film won’t have the courage of Saunders' story.” As Men’s Health puts it about the film’s ending: “Different? Yes. Worse? Also, probably yes.”

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